The first thing that a good speaker does is looks at the audience

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For years the survivors have campaigned for a public memorial the first thing that a good speaker does is looks at the audience museum, and for some token compensation for the loss of their homes, loved ones, and livelihoods.

But the Japanese Government continues to ignore their appeals, and after seven decades, they find themselves cast aside-and on the verge of being effectively erased from historical narratives. In contrast, former soldiers have been treated generously by the state. Paper City tells the story of three survivors as they launch one final campaign to leave behind a record of this the first thing that a good speaker does is looks at the audience tragedy-before the last of them passes away.

Using paper as sanofi s a central metaphor-a means of documenting the past that is as fragile as life itself-Paper City will explore the power and frailty of memory.

And in giving a voice to the firebombing survivors, the film will shine a light on the devastating and lasting impact of civilian-targeted airstrikes, which continue around the world to this day. Like many Australians of my generation, I grew up with anecdotes of the cruelty suffered by allied civilians and POWs at the hands of the Japanese military.

But apart from Hiroshima and Nagasaki, I was taught nothing about how ordinary Japanese civilians experienced the war.

I had already been a Tokyoite for many years when I saw this, but had never seen any physical traces or heard stories of what happened-nothing in the city had pointed me to it. What happened to the survivors. Are they reluctant to talk. Would they rather forget. As I began to meet survivors, I saw that nothing could be further from the truth. For them, remembering is not passive-it is an action, a verb. I decided I wanted to tell the story of the firebombing from their point of view.

This film is very important because it deals with a unique event in history that has been neglected, forgotten, and erased, by both the United States and Japan. It is crucial for the voices of these three people in the film to be cough with cold, for they survived the horror of the Tokyo firebombing of March 10, 1945. This film will pass down their voices and their memories, so that a part of history can be recovered, and remembered.

Paper City stands to shed light on a formative moment in the rise of American air power: a strategic bombing campaign that in many ways informed the bombing of cities and civilians in North Korea, Vietnam, and, more recently, the Middle East. By raising unsettling moral questions about the targeting of civilians during WWII, the film challenges prevailing American narratives of the "Good War.

He majored in documentary film at the Victorian College of the Arts, Melbourne. With producer Melanie Brunt, Adrian directed the award-winning documentary short, Lessons from the Night, about an immigrant cleaning lady, which premiered at the Sundance Film Festival. Adrian was invited to participate in the Berlinale Talents at the Berlin Film Festival, where he began developing the project that would become Paper City-his first feature-length film.

Melanie Brunt is a producer of thoughtful, character-driven short films across fiction, animation and documentary categories through her company Feather Films. Melanie also works as line producer and post-production supervisor on The first thing that a good speaker does is looks at the audience television productions and she produced the multi-award winning, short form series Wrong Kind Of Black for Princess Pictures, which was nominated for an International Emmy in 2019.

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